Lenses for mFT-cameras...
Updated March 5th 2020
© Jouko Lehto
Tele Primes
The
"Normal" section ends with 30mm lenses - a bit on the long side for a
normal for my taste, but this is just a list, so shortest one on this tele section
is a 32mm lens. As before on the portrait-section (from short to medium tele)
there are plenty of choises with super fast-options (F0.8, T0.95 etc).
Also on the
longer side there are F2 and F2.8-versions available for those needing a long
and fast lenses, up to 300mm.
Most of the
really fast ones are manual focus only-versions. If you don't need anything
that fast, check the tele-zooms too.

Yellow wood anemone.
Olympus OMD E-M1 + Olympus Zuiko Digital ED 50mm F2 macro + Olympus TC14 @F7.1, 1/125, ISO 400. © Jouko Lehto
Short teles (31-50mm)
Most
important use of these focal lengths are portrait -type shooting and
landscapes, and macro shots with macro lenses. Of course, these lenses can be
used for everything else too – and portraits can be taken with any other lens.
But, for portraits, these produce a flattering image of face without
significant distortion of any kind, and also give a good working distance – not
too close, not too far.
Discontinued models in red.
Manufacturer AND TYPE
FOCAL LENGHT mm
MOUNT (FT / mFT)
MAX
APER-TURE (F/T)
FOV, degrees
MIN FOCUS m
MAX IMAGE MAG-NIFI-CATION
MACRO (x)
FOCUS TYPE
(AF/ MF/ OTHER)
Electonic
contacts for EXIF and APER-TURE
LENSES/ GROUPS
FILTER SIZE mm
DIMEN-SIONS mm
WEIGHT g
Cooke miniS4/I Prime lens 32mm T 2.8
32
mFT
T2.8
50
0.30
MF
NO
110 x 87
1600
Jackar SnapShooter 34mm F1.8
34
mFT
F1.8
MF
NO
37
48 X 53
145
Meyer-Optik-Görlitz Nocturnus F0,95 35mm
35
mFT
F0.95
0.3
MF
NO
10/7
680
SLR Magic 35mm
T0.95 Hyperprime Cine II Lens
35
mFT
T0.95
0.3
MF
NO
12/10
62
110 X 68
815
35
mFT
F0.95
MF
NO
10/7
58
64 X 82
680
7ARTISANS 35 mm F1.2
35
mFT
F1.2
0.30
MF
NO
9/6
43
46 x 46
150
Samyang
35mm F1.2 ED AS UMC CS
35
mFT
F1.2
34,6
0.38
MF
NO
9/7
62
73 X 67.5
426
Samyang
35mm T1.3 ED AS UMC CS
35
mFT
T1.3
34,6
0.38
MF
NO
9/7
62
73 X 73.6
436
Samyang XEEN
35mm T1.5 Cinema Lens
35
mFT
T1.5
33.4
0.33
MF
NO
117.6 x 146.5
1380
Samyang 35
mm F1.4 AS UMC
35
FT
F1.4
32
0.3
MF
NO
12/10
111 X 83
660
SLR Magic 35mm
T1.4 Cine Lens – Mark II
35
mFT
T1.4
0.3
MF
NO
8/8
52
70.3
390
CARL ZEISS CP.2 35 mm/T1.5 Super Speed
35
mFT
T1.5
28
0.3
MF
NO
91 X 114
1100
Samyang XEEN 35mm T1.5
35
mFT
T1.5
33.4
0.33
MF
NO
117.6 x 146.5
1165
Meike 35MM F1.7
35
mFT
F1.7
MF
NO
6/5
49
60.5 x 41
176
Neewer NW-4 / 3-35-1.7 35mm f / 1,7
35
mFT
F1.7
36.3
0.113X
MF
NO
6/5
49
60.5 X 41
176
SLR Magic
35mm F1.7 Lens
35
mFT
F1.7
MF
NO
37
90
CARL ZEISS
CP.3 35mm T2.1 (XD)
35
mFT
T2.1
28
0.30
MF
(YES)
83.7 X 95
800
CARL ZEISS CP.2
35 mm/T2.1
35
mFT
T2.1
28
0.3
MF
NO
80 X 114
1000
SCHNEIDER
KREUZNACH Cine-Xenar III T 2.1/ 35 mm
35
mFT
T2.1
0.35
MF
NO
179.3 X 104
1830
Veydra Mini Prime 35mm T2.2
35
mFT
T2.2
27.8
0.28
MF
NO
77
880
SLR Magic
ANAMORPHOT-CINE 35mm T2.4 2x squeese
35
mFT
T2.4
1.1
MF
NO
82
192,5 x 100
1360
LENSBABY
Composer Pro with Sweet 35, TILT Selective Focus
35
FT
F2.5
34
0,19
MF
NO
4/3
46
LENSBABY
Composer Pro with Sweet 35, TILT Selective Focus
35
mFT
F2.5
34
0,19
MF
NO
4/3
46
LENSBABY
Burnside 35
35
mFT
F2.8
0.15
MF
NO
6/4
62
374
Meyer-Optik-Görlitz Trioplan
35+ f2.8
35
mFT
F2.8
0.30
MF
NO
39
61,5 x 50
220
Opteka
35mm F/1.7
35
mFT
F2.8
44
0.30
MF
NO
6/5
49
44.45 x 57.15
204
Lensbaby Composer Pro II with Edge
35 Optic
35
mFT
F3.5
MF
NO
OLYMPUS ZUIKO DIGITAL 35mm F3.5
Macro
35
FT
F3.5
34
0.146
1.0X
X
AF
YES
6/6
52
53 x 71
165
C.P. Goerz CITOGRAPH 35
35
mFT
F8
31
3
Hyper-focal
NO
4/3
37
58 X 23
120
Cooke miniS4/I Prime lens
40mm T 2.8
40
mFT
T2.8
41
0.44
MF
NO
110 x 87
1700
KIPON HandeVision IBELUX 40mm F0.85
40
mFT
F0.85
41.3
0.75
0.05x
MF
NO
10/8
67
74 X 128
1200
COSINA VOIGTLÄNDER MFT 42.5 mm F
0,95 Nokton aspherical II
42.5
mFT
F0.95
30.5
0.23
0.25X
MF
NO
11/8
58
64.3 X 74.6
571
PANASONIC Leica DG NOCTICRON 42.5mm
F1.2 ASPH Power O.I.S.
42.5
mFT
F1.2
29
0.50
0,1X
AF
YES
14/11
67
76.8 x 74
425
Zhongyi Mitakon FREEWALKER 42.5mm f1.2
42.5
mFT
F1.2
29
0.45
MF
NO
9/7
49
60 x 52.5
310
Panasonic
Lumix G 42.5mm F1.7 ASPH POWER OIS
42,5
mFT
F1.7
29
0.31
0.2x
AF
YES
10/8
37
50 x
55.5
130
YI XIAOYI 42.5mm F1.8
42.5
mFT
F1.8
0.5 / 0.25
x
AF
YES
6/6
49
61 x 56.5
Olympus M.Zuiko Digital ED 45mm F1.2 PRO
45
mFT
F1.2
27
0.5
0.2x
AF
YES
14/10
62
70 x 84,9
410
OLYMPUS
M.ZUIKO DIGITAL 45mm F1.8
45
mFT
F1.8
27
0.50
0.11x
AF
YES
9/8
37
46 x 56
116
PANASONIC Leica DG MACRO-ELMARIT 45mm F2.8 ASPH MEGA
O.I.S.
45
mFT
F2.8
27
0,15
1.0X
X
AF
YES
14/10
46
62.5 x 63
225
SLR Magic
Hyperprime CINE 50mm T0.95
50
mFT
T0.95
0.60
MF
NO
62
81.7 x 71.7
620
SLR Magic
50mm F0.95 Hyperprime Lens
50
mFT
F0.95
0.60
MF
NO
8/7
62
490
Sainsonic Kamlan 50mm f/1.1
50
mFT
F1.1
0.50
MF
NO
5/5
52
60 x 60
248
Kamlan 50mm F1.1
50
mFT
F1.1
0.40
MF
NO
9/7
72 x 68
563
Kamlan FS 50mm
f/1.1 mk2
50
mFT
F1.1
0.50
MF
NO
5/5
52
56 x 59
248
Samyang
50mm F1.2 AS
UMC CS
50
mFT
F1.2
24.5
0.50
MF
NO
9/7
62
67.5
x 73
375
Samyang
50mm T1.3
AS UMC CS
50
mFT
T1.3
24.5
0.50
MF
NO
9/7
62
67.5 x 73
375
SIGMA 50mm F1.4 EX DG HSM
50
FT
F1.4
24
0.45
0.14X
AF
YES
8/6
77
84.5 x 68.2
505
Samyang
50mm T1.5 AS UMC VDSLR Cine Lens
50
mFT
T1.5
24
0.45
MF
NO
9/6
77
81.6 x 99.5
590
Samyang XEEN 50mm T1.5 Cinema Lens
50
mFT
T1.5
23.6
0.45
MF
NO
117.6 x 146.5
1165
CARL ZEISS CP.2 50 mm/T1.5 Super Speed
50
mFT
T1.5
20
0.45
MF
NO
80 X 114
900
7Artisans 50mm f/1.8 MFT
50
mFT
F1.8
MF
NO
6/5
52
SCHNEIDER
KREUZNACH Cine-Xenar III T 2.0/ 50 mm
50
mFT
T2.0
0.35
MF
NO
179.3 X 104
1590
Meike 50MM
F2.0
50
mFT
F2.0
MF
NO
6/5
49
60.5 x 29
102
Neewer
NW-4 / 3-50-2.0 50mm f / 2,0
50
mFT
F2.0
0.08X
MF
NO
6/5
49
60.5 x 41
188
ARAX 2/50mm Tilt & Shift lens
50
mFT
F2.0
22
0.35
MF
NO
46
270
OLYMPUS ZUIKO DIGITAL ED 50mm
F2.0 Macro
50
FT
F2.0
24
0.24
0.5X
X
AF
YES
11/10
52
61.5 x 71
300
LENSBABY
Composer Pro with Soft Focus Optic 50, TILT Selective Focus
50
FT
F2.0
24
0,37
MF
NO
2/1
37
LENSBABY
Composer Pro with Soft Focus Optic 50, TILT Selective Focus
50
mFT
F2.0
24
0,37
MF
NO
2/1
37
Opteka
50mm F/2.0
50
mFT
F2.0
30
0.65
MF
NO
6/5
49
44.45 x 57.15
193
CARL ZEISS
CP.3 50 mm T2.1 (XD)
50
mFT
T2.1
20
0.45
MF
(YES)
83.7 X 95
770
Cooke miniS4/I Prime lens 50 mm T 2.8
50
mFT
T2.8
34
0.50
MF
NO
137 x 87
1500
LENSBABY
Composer Pro with EDGE 50mm Optic, TILT Selective Focus
50
mFT
F3.2
24
0.20
MF
NO
46
CARL
ZEISS CP.2 50 mm/T2.1
50
mFT
T2.1
20
0.45
MF
NO
80 X 114
900
CARL
ZEISS CP.2 50 mm/T2.1 Macro
50
mFT
T2.1
20
0.24
X
MF
NO
132 X 134
1400
Veydra Mini Prime 50mm T2.2
50
mFT
T2.2
19.6
0.38
MF
NO
77
463
LENSBABY
Composer Pro with Sweet 50, TILT Selective Focus
50
FT
F2.5
24
0,37
MF
NO
2/1
46
LENSBABY
Composer Pro with Sweet 50, TILT Selective Focus
50
mFT
F2.5
24
0,37
MF
NO
2/1
46
SLR Magic ANAMORPHOT-CINE 50mm T2.8
2x squeese
50
mFT
T2.8
1.1
MF
NO
82
192.5 x 100
1360
LENSBABY
Composer Pro with Creative Aperture Optic 50, TILT Selective Focus
50
FT
24
0,45
MF
NO
2/1
37
LENSBABY
Composer Pro with Creative Aperture Optic 50, TILT Selective Focus
50
mFT
24
0,45
MF
NO
2/1
37
© Jouko Lehto
Tele Primes
The
"Normal" section ends with 30mm lenses - a bit on the long side for a
normal for my taste, but this is just a list, so shortest one on this tele section
is a 32mm lens. As before on the portrait-section (from short to medium tele)
there are plenty of choises with super fast-options (F0.8, T0.95 etc).
Also on the
longer side there are F2 and F2.8-versions available for those needing a long
and fast lenses, up to 300mm.
Most of the
really fast ones are manual focus only-versions. If you don't need anything
that fast, check the tele-zooms too.![]() |
Yellow wood anemone. Olympus OMD E-M1 + Olympus Zuiko Digital ED 50mm F2 macro + Olympus TC14 @F7.1, 1/125, ISO 400. © Jouko Lehto |
Short teles (31-50mm)
Most
important use of these focal lengths are portrait -type shooting and
landscapes, and macro shots with macro lenses. Of course, these lenses can be
used for everything else too – and portraits can be taken with any other lens.
But, for portraits, these produce a flattering image of face without
significant distortion of any kind, and also give a good working distance – not
too close, not too far.
Discontinued models in red.
Manufacturer AND TYPE
|
FOCAL LENGHT mm
|
MOUNT (FT / mFT)
|
MAX
APER-TURE (F/T)
|
FOV, degrees
|
MIN FOCUS m
|
MAX IMAGE MAG-NIFI-CATION
|
MACRO (x)
|
FOCUS TYPE
(AF/ MF/ OTHER)
|
Electonic
contacts for EXIF and APER-TURE
|
LENSES/ GROUPS
|
FILTER SIZE mm
|
DIMEN-SIONS mm
|
WEIGHT g
|
Cooke miniS4/I Prime lens 32mm T 2.8
|
32
|
mFT
|
T2.8
|
50
|
0.30
|
MF
|
NO
|
110 x 87
|
1600
|
||||
Jackar SnapShooter 34mm F1.8
|
34
|
mFT
|
F1.8
|
MF
|
NO
|
37
|
48 X 53
|
145
|
|||||
Meyer-Optik-Görlitz Nocturnus F0,95 35mm
|
35
|
mFT
|
F0.95
|
0.3
|
MF
|
NO
|
10/7
|
680
|
|||||
SLR Magic 35mm
T0.95 Hyperprime Cine II Lens
|
35
|
mFT
|
T0.95
|
0.3
|
MF
|
NO
|
12/10
|
62
|
110 X 68
|
815
|
|||
35
|
mFT
|
F0.95
|
MF
|
NO
|
10/7
|
58
|
64 X 82
|
680
|
|||||
7ARTISANS 35 mm F1.2
|
35
|
mFT
|
F1.2
|
0.30
|
MF
|
NO
|
9/6
|
43
|
46 x 46
|
150
|
|||
Samyang
35mm F1.2 ED AS UMC CS
|
35
|
mFT
|
F1.2
|
34,6
|
0.38
|
MF
|
NO
|
9/7
|
62
|
73 X 67.5
|
426
|
||
Samyang
35mm T1.3 ED AS UMC CS
|
35
|
mFT
|
T1.3
|
34,6
|
0.38
|
MF
|
NO
|
9/7
|
62
|
73 X 73.6
|
436
|
||
Samyang XEEN
35mm T1.5 Cinema Lens
|
35
|
mFT
|
T1.5
|
33.4
|
0.33
|
MF
|
NO
|
117.6 x 146.5
|
1380
|
||||
Samyang 35
mm F1.4 AS UMC
|
35
|
FT
|
F1.4
|
32
|
0.3
|
MF
|
NO
|
12/10
|
111 X 83
|
660
|
|||
SLR Magic 35mm
T1.4 Cine Lens – Mark II
|
35
|
mFT
|
T1.4
|
0.3
|
MF
|
NO
|
8/8
|
52
|
70.3
|
390
|
|||
CARL ZEISS CP.2 35 mm/T1.5 Super Speed
|
35
|
mFT
|
T1.5
|
28
|
0.3
|
MF
|
NO
|
91 X 114
|
1100
|
||||
Samyang XEEN 35mm T1.5
|
35
|
mFT
|
T1.5
|
33.4
|
0.33
|
MF
|
NO
|
117.6 x 146.5
|
1165
|
||||
Meike 35MM F1.7
|
35
|
mFT
|
F1.7
|
MF
|
NO
|
6/5
|
49
|
60.5 x 41
|
176
|
||||
Neewer NW-4 / 3-35-1.7 35mm f / 1,7
|
35
|
mFT
|
F1.7
|
36.3
|
0.113X
|
MF
|
NO
|
6/5
|
49
|
60.5 X 41
|
176
|
||
SLR Magic
35mm F1.7 Lens
|
35
|
mFT
|
F1.7
|
MF
|
NO
|
37
|
90
|
||||||
CARL ZEISS
CP.3 35mm T2.1 (XD)
|
35
|
mFT
|
T2.1
|
28
|
0.30
|
MF
|
(YES)
|
83.7 X 95
|
800
|
||||
CARL ZEISS CP.2
35 mm/T2.1
|
35
|
mFT
|
T2.1
|
28
|
0.3
|
MF
|
NO
|
80 X 114
|
1000
|
||||
SCHNEIDER
KREUZNACH Cine-Xenar III T 2.1/ 35 mm
|
35
|
mFT
|
T2.1
|
0.35
|
MF
|
NO
|
179.3 X 104
|
1830
|
|||||
Veydra Mini Prime 35mm T2.2
|
35
|
mFT
|
T2.2
|
27.8
|
0.28
|
MF
|
NO
|
77
|
880
|
||||
SLR Magic
ANAMORPHOT-CINE 35mm T2.4 2x squeese
|
35
|
mFT
|
T2.4
|
1.1
|
MF
|
NO
|
82
|
192,5 x 100
|
1360
|
||||
LENSBABY
Composer Pro with Sweet 35, TILT Selective Focus
|
35
|
FT
|
F2.5
|
34
|
0,19
|
MF
|
NO
|
4/3
|
46
|
||||
LENSBABY
Composer Pro with Sweet 35, TILT Selective Focus
|
35
|
mFT
|
F2.5
|
34
|
0,19
|
MF
|
NO
|
4/3
|
46
|
||||
LENSBABY
Burnside 35
|
35
|
mFT
|
F2.8
|
0.15
|
MF
|
NO
|
6/4
|
62
|
374
|
||||
Meyer-Optik-Görlitz Trioplan
35+ f2.8
|
35
|
mFT
|
F2.8
|
0.30
|
MF
|
NO
|
39
|
61,5 x 50
|
220
|
||||
Opteka
35mm F/1.7
|
35
|
mFT
|
F2.8
|
44
|
0.30
|
MF
|
NO
|
6/5
|
49
|
44.45 x 57.15
|
204
|
||
Lensbaby Composer Pro II with Edge
35 Optic
|
35
|
mFT
|
F3.5
|
MF
|
NO
|
||||||||
OLYMPUS ZUIKO DIGITAL 35mm F3.5
Macro
|
35
|
FT
|
F3.5
|
34
|
0.146
|
1.0X
|
X
|
AF
|
YES
|
6/6
|
52
|
53 x 71
|
165
|
C.P. Goerz CITOGRAPH 35
|
35
|
mFT
|
F8
|
31
|
3
|
Hyper-focal
|
NO
|
4/3
|
37
|
58 X 23
|
120
|
||
Cooke miniS4/I Prime lens
40mm T 2.8
|
40
|
mFT
|
T2.8
|
41
|
0.44
|
MF
|
NO
|
110 x 87
|
1700
|
||||
KIPON HandeVision IBELUX 40mm F0.85
|
40
|
mFT
|
F0.85
|
41.3
|
0.75
|
0.05x
|
MF
|
NO
|
10/8
|
67
|
74 X 128
|
1200
|
|
COSINA VOIGTLÄNDER MFT 42.5 mm F
0,95 Nokton aspherical II
|
42.5
|
mFT
|
F0.95
|
30.5
|
0.23
|
0.25X
|
MF
|
NO
|
11/8
|
58
|
64.3 X 74.6
|
571
|
|
PANASONIC Leica DG NOCTICRON 42.5mm
F1.2 ASPH Power O.I.S.
|
42.5
|
mFT
|
F1.2
|
29
|
0.50
|
0,1X
|
AF
|
YES
|
14/11
|
67
|
76.8 x 74
|
425
|
|
Zhongyi Mitakon FREEWALKER 42.5mm f1.2
|
42.5
|
mFT
|
F1.2
|
29
|
0.45
|
MF
|
NO
|
9/7
|
49
|
60 x 52.5
|
310
|
||
Panasonic
Lumix G 42.5mm F1.7 ASPH POWER OIS
|
42,5
|
mFT
|
F1.7
|
29
|
0.31
|
0.2x
|
AF
|
YES
|
10/8
|
37
|
50 x
55.5
|
130
|
|
YI XIAOYI 42.5mm F1.8
|
42.5
|
mFT
|
F1.8
|
0.5 / 0.25
|
x
|
AF
|
YES
|
6/6
|
49
|
61 x 56.5
|
|||
Olympus M.Zuiko Digital ED 45mm F1.2 PRO
|
45
|
mFT
|
F1.2
|
27
|
0.5
|
0.2x
|
AF
|
YES
|
14/10
|
62
|
70 x 84,9
|
410
|
|
OLYMPUS
M.ZUIKO DIGITAL 45mm F1.8
|
45
|
mFT
|
F1.8
|
27
|
0.50
|
0.11x
|
AF
|
YES
|
9/8
|
37
|
46 x 56
|
116
|
|
PANASONIC Leica DG MACRO-ELMARIT 45mm F2.8 ASPH MEGA
O.I.S.
|
45
|
mFT
|
F2.8
|
27
|
0,15
|
1.0X
|
X
|
AF
|
YES
|
14/10
|
46
|
62.5 x 63
|
225
|
SLR Magic
Hyperprime CINE 50mm T0.95
|
50
|
mFT
|
T0.95
|
0.60
|
MF
|
NO
|
62
|
81.7 x 71.7
|
620
|
||||
SLR Magic
50mm F0.95 Hyperprime Lens
|
50
|
mFT
|
F0.95
|
0.60
|
MF
|
NO
|
8/7
|
62
|
490
|
||||
Sainsonic Kamlan 50mm f/1.1
|
50
|
mFT
|
F1.1
|
0.50
|
MF
|
NO
|
5/5
|
52
|
60 x 60
|
248
|
|||
Kamlan 50mm F1.1
|
50
|
mFT
|
F1.1
|
0.40
|
MF
|
NO
|
9/7
|
72 x 68
|
563
|
||||
Kamlan FS 50mm
f/1.1 mk2
|
50
|
mFT
|
F1.1
|
0.50
|
MF
|
NO
|
5/5
|
52
|
56 x 59
|
248
|
|||
Samyang
50mm F1.2 AS
UMC CS
|
50
|
mFT
|
F1.2
|
24.5
|
0.50
|
MF
|
NO
|
9/7
|
62
|
67.5
x 73
|
375
|
||
Samyang
50mm T1.3
AS UMC CS
|
50
|
mFT
|
T1.3
|
24.5
|
0.50
|
MF
|
NO
|
9/7
|
62
|
67.5 x 73
|
375
|
||
SIGMA 50mm F1.4 EX DG HSM
|
50
|
FT
|
F1.4
|
24
|
0.45
|
0.14X
|
AF
|
YES
|
8/6
|
77
|
84.5 x 68.2
|
505
|
|
Samyang
50mm T1.5 AS UMC VDSLR Cine Lens
|
50
|
mFT
|
T1.5
|
24
|
0.45
|
MF
|
NO
|
9/6
|
77
|
81.6 x 99.5
|
590
|
||
Samyang XEEN 50mm T1.5 Cinema Lens
|
50
|
mFT
|
T1.5
|
23.6
|
0.45
|
MF
|
NO
|
117.6 x 146.5
|
1165
|
||||
CARL ZEISS CP.2 50 mm/T1.5 Super Speed
|
50
|
mFT
|
T1.5
|
20
|
0.45
|
MF
|
NO
|
80 X 114
|
900
|
||||
7Artisans 50mm f/1.8 MFT
|
50
|
mFT
|
F1.8
|
MF
|
NO
|
6/5
|
52
|
||||||
SCHNEIDER
KREUZNACH Cine-Xenar III T 2.0/ 50 mm
|
50
|
mFT
|
T2.0
|
0.35
|
MF
|
NO
|
179.3 X 104
|
1590
|
|||||
Meike 50MM
F2.0
|
50
|
mFT
|
F2.0
|
MF
|
NO
|
6/5
|
49
|
60.5 x 29
|
102
|
||||
Neewer
NW-4 / 3-50-2.0 50mm f / 2,0
|
50
|
mFT
|
F2.0
|
0.08X
|
MF
|
NO
|
6/5
|
49
|
60.5 x 41
|
188
|
|||
ARAX 2/50mm Tilt & Shift lens
|
50
|
mFT
|
F2.0
|
22
|
0.35
|
MF
|
NO
|
46
|
270
|
||||
OLYMPUS ZUIKO DIGITAL ED 50mm
F2.0 Macro
|
50
|
FT
|
F2.0
|
24
|
0.24
|
0.5X
|
X
|
AF
|
YES
|
11/10
|
52
|
61.5 x 71
|
300
|
LENSBABY
Composer Pro with Soft Focus Optic 50, TILT Selective Focus
|
50
|
FT
|
F2.0
|
24
|
0,37
|
MF
|
NO
|
2/1
|
37
|
||||
LENSBABY
Composer Pro with Soft Focus Optic 50, TILT Selective Focus
|
50
|
mFT
|
F2.0
|
24
|
0,37
|
MF
|
NO
|
2/1
|
37
|
||||
Opteka
50mm F/2.0
|
50
|
mFT
|
F2.0
|
30
|
0.65
|
MF
|
NO
|
6/5
|
49
|
44.45 x 57.15
|
193
|
||
CARL ZEISS
CP.3 50 mm T2.1 (XD)
|
50
|
mFT
|
T2.1
|
20
|
0.45
|
MF
|
(YES)
|
83.7 X 95
|
770
|
||||
Cooke miniS4/I Prime lens 50 mm T 2.8
|
50
|
mFT
|
T2.8
|
34
|
0.50
|
MF
|
NO
|
137 x 87
|
1500
|
||||
LENSBABY
Composer Pro with EDGE 50mm Optic, TILT Selective Focus
|
50
|
mFT
|
F3.2
|
24
|
0.20
|
MF
|
NO
|
46
|
|||||
CARL
ZEISS CP.2 50 mm/T2.1
|
50
|
mFT
|
T2.1
|
20
|
0.45
|
MF
|
NO
|
80 X 114
|
900
|
||||
CARL
ZEISS CP.2 50 mm/T2.1 Macro
|
50
|
mFT
|
T2.1
|
20
|
0.24
|
X
|
MF
|
NO
|
132 X 134
|
1400
|
|||
Veydra Mini Prime 50mm T2.2
|
50
|
mFT
|
T2.2
|
19.6
|
0.38
|
MF
|
NO
|
77
|
463
|
||||
LENSBABY
Composer Pro with Sweet 50, TILT Selective Focus
|
50
|
FT
|
F2.5
|
24
|
0,37
|
MF
|
NO
|
2/1
|
46
|
||||
LENSBABY
Composer Pro with Sweet 50, TILT Selective Focus
|
50
|
mFT
|
F2.5
|
24
|
0,37
|
MF
|
NO
|
2/1
|
46
|
||||
SLR Magic ANAMORPHOT-CINE 50mm T2.8
2x squeese
|
50
|
mFT
|
T2.8
|
1.1
|
MF
|
NO
|
82
|
192.5 x 100
|
1360
|
||||
LENSBABY
Composer Pro with Creative Aperture Optic 50, TILT Selective Focus
|
50
|
FT
|
24
|
0,45
|
MF
|
NO
|
2/1
|
37
|
|||||
LENSBABY
Composer Pro with Creative Aperture Optic 50, TILT Selective Focus
|
50
|
mFT
|
24
|
0,45
|
MF
|
NO
|
2/1
|
37
|
Medium tele
(51-100mm)
Medium tele (51-100mm)
Typical uses are portraits, indoor sports, nature… And macro-lenses for longer working distance - butterfly shots etc. For portraits the need for longer working
distance compared to shorter teles mean, that these lengths are used more for
outdoors location work than in studios. But everything can be done…
Discontinued models in red.
Manufacturer AND TYPE
FOCAL LENGHT mm
MOUNT (FT / mFT)
MAX
APER-TURE (F/T)
FOV, degrees
MIN FOCUS m
MAX IMAGE MAG-NIFI-CATION
MACRO (x)
FOCUS TYPE
(AF/ MF/ OTHER)
Electonic
contacts for EXIF and APER-TURE
LENSES/ GROUPS
FILTER SIZE mm
DIMEN-SIONS mm
WEIGHT g
Sigma 56mm f/1.4 DC DN Contemporary
56
mFT
F1.4
0.50
0,14X
AF
YES
10/6
55
66,5 x 59,5
280
LENSBABY Velvet 56 mm F1.6
56
mFT
F1.6
0,13
0.5X
x
MF
NO
4/3
62
85.3 x 72
410
58
mFT
F1.9
0.60
MF
NO
5/4
37
58 X 55
200
7Artisans 60mm f/2.8 MFT macro
60
mFT
F2.8
0.26
1x (5x with
ext. tube)
x
MF
NO
11/9
OLYMPUS M.ZUIKO DIGITAL ED 60mm F2.8 Macro
60
mFT
F2.8
20
0.19
1.0x
x
AF
YES
13/10
46
82 x 56
185
SIGMA 60mm
F2.8 DN “A”
60
mFT
F2.8
20.4
0,50
0,14X
AF
YES
8/6
46
55.5 x 60.8
190
VENUS
OPTICS LAOWA Venus 60mm F2.8 2X Ultra-Macro Lens
60
mFT
F2.8
20.4
0.185
2.0x
x
MF
NO
9/7
62
95 x 70
503
Cooke miniS4/i Prime lens 65mm T 2.8
65
mFT
T2.8
26
0.70
MF
NO
135 x 87
1600
SLR Magic ANAMORPHOT-CINE 70mm T4.0
2x squeese
70
mFT
T4.0
1.10
MF
NO
82
192.5 x 100
1360
Cooke miniS4/i Prime lens 75mm T 2.8
75
mFT
T2.8
22
0.75
MF
NO
137 x 87
1600
OLYMPUS
M.ZUIKO DIGITAL ED 75mm F1.8
75
mFT
F1.8
16
0.84
0.1x
AF
YES
10/9
58
69 x 64
305
75
mFT
F1.9
16
0.75
MF
NO
5/4
52
58 X 55
300
75
mFT
F1.9
16
0.75
MF
NO
5/4
52
58 X 55
300
SCHNEIDER
KREUZNACH Cine-Xenar III T2.0/ 75 mm
75
mFT
T2.0
0.45
MF
NO
179.3 X 104
1690
Composer
Pro with Edge 80 Optic, TILT Selective Focus
80
FT
F2.8
0.42
MF
NO
5/4
46
LENSBABY
Composer Pro with Edge 80 Optic, TILT Selective Focus
80
mFT
F2.8
0.42
MF
NO
5/4
46
Samyang
85mm f/1.4 IF MC Aspherical
85
FT
F1.4
14
1.0
MF
NO
9/7
72
78 X 72.2
513
CARL ZEISS CP.2 85 mm/T1.5 Super Speed
85
mFT
T1.5
12
1.0
MF
NO
80 X 114
900
Samyang XEEN 85mm T1.5 Cinema Lens
85
mFT
T1.5
14.4
1.12
MF
NO
117.6 x 146.5
1250
Lensbaby
Velvet 85 85mm f/1.8
85
mFT
F1.8
0.24
0,5x
MF
NO
4/3
67
89 x 76
530
Samyang
MF 85mm F1.8 ED UMC CS
85
mFT
F1.8
14.7
0.65
0,17x
MF
NO
9/7
62
67.5 x 79.5
356
CARL ZEISS CP.3 85mm/T2.1 (XD)
85
mFT
T2.1
12
1.00
MF
(YES)
83.7 X 95
880
CARL ZEISS CP.2
85 mm/T2.1
85
mFT
T2.1
12
1.0
MF
NO
80 X 114
900
Veydra Mini Prime 85mm T2.2
85
mFT
T2.2
Meike MK-85-F2.8 Macro
85
mFT
F2.8
0.25
1.5X
X
MF
NO
11/8
64 x 117
500
Kowa
Prominar 90mm F2.5 Macro
90
mFT
F2.5
0.25
X
MF
NO
13/11
SCHNEIDER
KREUZNACH Cine-Xenar III T2.0/ 95 mm
95
mFT
T2.0
0.65
MF
NO
179.3 X 104
1810
Meyer-Optik-Görlitz
Trimagon f2,6/95 mm
95
mFT
F2.6
MF
NO
3/3
52
Emil Busch Glaukar
F3.1 97mm
97
mFT
F3.1
12.5
1.5
MF
NO
3/3
37
73 X 85
410
CARL ZEISS
CP.3 100mm T2.1 (XD)
100
mFT
T2.1
10
0.70
MF
(YES)
126.5 X 95
1010
CARL ZEISS
CP.2 100 mm/T2.1 CF
100
mFT
T2.1
10
0.7
MF
NO
132 X 114
1500
Cooke miniS4/i Prime lens 100mm T 2.8
100
mFT
T2.8
17
0.90
MF
NO
137 x 87
1600
Meyer-Optik-Görlitz
Trioplan f2,8/100 mm
100
mFT
F2.8
SAMYANG 100mm F2.8 ED UMC MACRO
100
FT, mFT
F2.8
12.6
0.307
1.0X
X
MF
NO
15/12
67
147,9 X
72.5
725
Tokina
Cinema AT-X 100mm T/2.9 macro
100
mFT
T2.9
0.3
1.0X
x
MF
NO
8/9
82
170 x 88
1310
SAMYANG 100mm T3.1 ED UMC MACRO
100
FT, mFT
T3.1
12.6
0.307
1.0X
X
MF
NO
15/12
67
147,9 X
81.6
730
Long teles (101mm ->)
The longer
the harder… Typical use sports and nature: animals, birds, insects...
Everything you have to photograph from respectful distance. Usually first time
users complain about the lens IQ – mainly because of poor user technique. These
need practice!
And, to
make it even harder, the airwaves, dust, moist etc, everything between the lens
and subject affects the picture quality, and the focus has to be spot on. So,
never expect 100% keepers. But, those
who can, really get amazing photos with
these!
Discontinued models in red.
Manufacturer
AND TYPE
FOCAL
LENGHT mm
MOUNT (FT /
mFT)
MAX
APER-TURE (F/T)
FOV,
degrees
MIN
FOCUS m
MAX IMAGE MAG-NIFI-CATION
MACRO (x)
FOCUS TYPE
(AF/ MF/ OTHER)
Electonic
contacts for EXIF and APER-TURE
LENSES/ GROUPS
FILTER SIZE mm
DIMEN-SIONS mm
WEIGHT g
Tokina
Vista 105mm T1.5
105
mFT
T1.5
SIGMA Macro 105mm F2.8 EX DG
105
FT
F2.8
12
0.31
1.0X
X
AF
YES
11/10
58
97.5 x 74
457
CARL ZEISS CP.3 135mm T2.1 (XD)
135
mFT
T2.1
7
1.00
MF
(YES)
126.5 X 95
1150
CARL ZEISS
CP.2 135 mm/T2.1
135
mFT
T2.1
7
1.0
MF
NO
149 X 114
1600
Samyang 135mm f/2.0 ED UMC
135
mFT
f2.0
0.8
MF
NO
11/7
77
146,9 x 82
840
Samyang 135mm T2.2 VDSLR ED UMC
135
mFT
T2.2
0.8
MF
NO
11/7
77
146,9 x 82
840
Samyang XEEN
135mm T2.2 Cinema Lens
135
mFT
T2.2
9.48
0.8
MF
NO
117.6 X 146.5
1413
Cooke miniS4/i Prime lens 135mm T 2.8
135
mFT
T2.8
14.6
1.00
MF
NO
157.8 x 87
1800
OLYMPUS ZUIKO DIGITAL ED 150mm
F2.0
150
FT
F2.0
8.2
1,4
0,13x
AF
YES
11/9
82
100 x 150
1465
SIGMA APO Macro 150mm F2.8 EX DG HSM
150
FT
F2.8
8.2
0,38
1,0X
X
AF
YES
16/12
72
137 x 79.6
895
Panasonic
LEICA DG ELMARIT 200mm F2.8 POWER O.I.S.
200
mFT
F2.8
6
1.15
0.2x
AF
YES
15/13
77
174 x 88
1245
William Optics Redcat 51 APO 250mm
f/4.9
250
mFT
F4.9
MF
NO
4/3
48
225 x 80
1470
OLYMPUS ZUIKO DIGITAL ED 300mm
F2.8
300
FT
F2.8
4.2
2,4
0,15x
AF
YES
13/11
drop in
127 x 285
3290
OLYMPUS ZUIKO DIGITAL ED
300mm F4.0 IS PRO
300
mFT
F4.0
4.2
1.4
0.24x
AF
YES
17/10
77
92.5 x 227
1270
300
mFT
F6.3
4.8
0.8
0.5X
X
MF
NO
13/11
55
55 X 66
298
Samyang
300mm f/6.3 ED UMC CS Reflex Mirror Lens
300
mFT
F6.3
5.5
0.9
MF
NO
9/6
58
73.7 x 64.5
318
KOWA PROMINAR 350MM F4
350
mFT
F4.0
3.5
3.0
MF
NO
10/10
95
104×296
2025
JK IMAGING,
LTD Kodak 400mm F6.7 fieldscope
400
mFT
F6.7
3.1
9,0
MF
NO
5/3
none
80 x 286
640
KENKO TOKINA 400mm F8 REFLEX N II
400
mFT
F8
3.4
1.15
0.4X
X
MF
NO
6/2
67 front /30.5 back
74 x 112
545
KOWA PROMINAR
500mm F5.6 FL
500
mFT
F5.6
2.5
3.0
MF
NO
7/7
95
104×341
1970
KOWA PROMINAR 850MM F9.6
850
mFT
F9.6
1.5
3.0
MF
NO
14/13
95
104 X 396
2270
Special macro
The Nanoha... Great lens for special purposes. Try
Google and find some examples. And then there are the Mitakon and Laowa … How
close do you want to get? These are really special macro lenses, not for
landscapes.
PS. There are also more “regular” macro lenses
available in the 30 -150mm range + more close focus lenses… And the extension
tubes can also be used for macros.
Manufacturer
AND TYPE
FOCAL LENGHT mm
MOUNT (FT / mFT)
MAX APER-TURE
(F/T)
FOV, degrees
MIN FOCUS m
MAX IMAGE MAG-NIFI-CATION
MACRO (x)
FOCUS TYPE (AF/
MF/ OTHER)
Electonic
contacts for EXIF and APER-TURE
LENSES/ GROUPS
FILTER SIZE mm
DIMEN-SIONS mm
WEIGHT g
Yasuhara
– Nanoha macro lens X5
0.011
5X
x
MF
NO
10/7
Zhongyi Mitakon 20mm
f/2.0 4.5X
20
mFT
F2.0
0.20
4.5X
x
MF
NO
6/4
NO
62 x 60
230
Laowa 24mm f/14 Relay 2x
Macro
24
mFT
F14
2X
x
MF
NO
Zhongyi Mitakon 85mm f/2.8 1-5X Super Macro Lens
85
mFT
f2.8
0,10
5X
x
MF
NO
12/8
58
67
x 122
750
Photographs of Jouko Lehto:
Typical uses are portraits, indoor sports, nature… And macro-lenses for longer working distance - butterfly shots etc. For portraits the need for longer working
distance compared to shorter teles mean, that these lengths are used more for
outdoors location work than in studios. But everything can be done…
Discontinued models in red.
Manufacturer AND TYPE
|
FOCAL LENGHT mm
|
MOUNT (FT / mFT)
|
MAX
APER-TURE (F/T)
|
FOV, degrees
|
MIN FOCUS m
|
MAX IMAGE MAG-NIFI-CATION
|
MACRO (x)
|
FOCUS TYPE
(AF/ MF/ OTHER)
|
Electonic
contacts for EXIF and APER-TURE
|
LENSES/ GROUPS
|
FILTER SIZE mm
|
DIMEN-SIONS mm
|
WEIGHT g
|
Sigma 56mm f/1.4 DC DN Contemporary
|
56
|
mFT
|
F1.4
|
0.50
|
0,14X
|
AF
|
YES
|
10/6
|
55
|
66,5 x 59,5
|
280
|
||
LENSBABY Velvet 56 mm F1.6
|
56
|
mFT
|
F1.6
|
0,13
|
0.5X
|
x
|
MF
|
NO
|
4/3
|
62
|
85.3 x 72
|
410
|
|
58
|
mFT
|
F1.9
|
0.60
|
MF
|
NO
|
5/4
|
37
|
58 X 55
|
200
|
||||
7Artisans 60mm f/2.8 MFT macro
|
60
|
mFT
|
F2.8
|
0.26
|
1x (5x with
ext. tube)
|
x
|
MF
|
NO
|
11/9
|
||||
OLYMPUS M.ZUIKO DIGITAL ED 60mm F2.8 Macro
|
60
|
mFT
|
F2.8
|
20
|
0.19
|
1.0x
|
x
|
AF
|
YES
|
13/10
|
46
|
82 x 56
|
185
|
SIGMA 60mm
F2.8 DN “A”
|
60
|
mFT
|
F2.8
|
20.4
|
0,50
|
0,14X
|
AF
|
YES
|
8/6
|
46
|
55.5 x 60.8
|
190
|
|
VENUS
OPTICS LAOWA Venus 60mm F2.8 2X Ultra-Macro Lens
|
60
|
mFT
|
F2.8
|
20.4
|
0.185
|
2.0x
|
x
|
MF
|
NO
|
9/7
|
62
|
95 x 70
|
503
|
Cooke miniS4/i Prime lens 65mm T 2.8
|
65
|
mFT
|
T2.8
|
26
|
0.70
|
MF
|
NO
|
135 x 87
|
1600
|
||||
SLR Magic ANAMORPHOT-CINE 70mm T4.0
2x squeese
|
70
|
mFT
|
T4.0
|
1.10
|
MF
|
NO
|
82
|
192.5 x 100
|
1360
|
||||
Cooke miniS4/i Prime lens 75mm T 2.8
|
75
|
mFT
|
T2.8
|
22
|
0.75
|
MF
|
NO
|
137 x 87
|
1600
|
||||
OLYMPUS
M.ZUIKO DIGITAL ED 75mm F1.8
|
75
|
mFT
|
F1.8
|
16
|
0.84
|
0.1x
|
AF
|
YES
|
10/9
|
58
|
69 x 64
|
305
|
|
75
|
mFT
|
F1.9
|
16
|
0.75
|
MF
|
NO
|
5/4
|
52
|
58 X 55
|
300
|
|||
|
75
|
mFT
|
F1.9
|
16
|
0.75
|
MF
|
NO
|
5/4
|
52
|
58 X 55
|
300
|
||
SCHNEIDER
KREUZNACH Cine-Xenar III T2.0/ 75 mm
|
75
|
mFT
|
T2.0
|
0.45
|
MF
|
NO
|
179.3 X 104
|
1690
|
|||||
Composer
Pro with Edge 80 Optic, TILT Selective Focus
|
80
|
FT
|
F2.8
|
0.42
|
MF
|
NO
|
5/4
|
46
|
|||||
LENSBABY
Composer Pro with Edge 80 Optic, TILT Selective Focus
|
80
|
mFT
|
F2.8
|
0.42
|
MF
|
NO
|
5/4
|
46
|
|||||
Samyang
85mm f/1.4 IF MC Aspherical
|
85
|
FT
|
F1.4
|
14
|
1.0
|
MF
|
NO
|
9/7
|
72
|
78 X 72.2
|
513
|
||
CARL ZEISS CP.2 85 mm/T1.5 Super Speed
|
85
|
mFT
|
T1.5
|
12
|
1.0
|
MF
|
NO
|
80 X 114
|
900
|
||||
Samyang XEEN 85mm T1.5 Cinema Lens
|
85
|
mFT
|
T1.5
|
14.4
|
1.12
|
MF
|
NO
|
117.6 x 146.5
|
1250
|
||||
Lensbaby
Velvet 85 85mm f/1.8
|
85
|
mFT
|
F1.8
|
0.24
|
0,5x
|
MF
|
NO
|
4/3
|
67
|
89 x 76
|
530
|
||
Samyang
MF 85mm F1.8 ED UMC CS
|
85
|
mFT
|
F1.8
|
14.7
|
0.65
|
0,17x
|
MF
|
NO
|
9/7
|
62
|
67.5 x 79.5
|
356
|
|
CARL ZEISS CP.3 85mm/T2.1 (XD)
|
85
|
mFT
|
T2.1
|
12
|
1.00
|
MF
|
(YES)
|
83.7 X 95
|
880
|
||||
CARL ZEISS CP.2
85 mm/T2.1
|
85
|
mFT
|
T2.1
|
12
|
1.0
|
MF
|
NO
|
80 X 114
|
900
|
||||
Veydra Mini Prime 85mm T2.2
|
85
|
mFT
|
T2.2
|
||||||||||
Meike MK-85-F2.8 Macro
|
85
|
mFT
|
F2.8
|
0.25
|
1.5X
|
X
|
MF
|
NO
|
11/8
|
64 x 117
|
500
|
||
Kowa
Prominar 90mm F2.5 Macro
|
90
|
mFT
|
F2.5
|
0.25
|
X
|
MF
|
NO
|
13/11
|
|||||
SCHNEIDER
KREUZNACH Cine-Xenar III T2.0/ 95 mm
|
95
|
mFT
|
T2.0
|
0.65
|
MF
|
NO
|
179.3 X 104
|
1810
|
|||||
Meyer-Optik-Görlitz
Trimagon f2,6/95 mm
|
95
|
mFT
|
F2.6
|
MF
|
NO
|
3/3
|
52
|
||||||
Emil Busch Glaukar
F3.1 97mm
|
97
|
mFT
|
F3.1
|
12.5
|
1.5
|
MF
|
NO
|
3/3
|
37
|
73 X 85
|
410
|
||
CARL ZEISS
CP.3 100mm T2.1 (XD)
|
100
|
mFT
|
T2.1
|
10
|
0.70
|
MF
|
(YES)
|
126.5 X 95
|
1010
|
||||
CARL ZEISS
CP.2 100 mm/T2.1 CF
|
100
|
mFT
|
T2.1
|
10
|
0.7
|
MF
|
NO
|
132 X 114
|
1500
|
||||
Cooke miniS4/i Prime lens 100mm T 2.8
|
100
|
mFT
|
T2.8
|
17
|
0.90
|
MF
|
NO
|
137 x 87
|
1600
|
||||
Meyer-Optik-Görlitz
Trioplan f2,8/100 mm
|
100
|
mFT
|
F2.8
|
||||||||||
SAMYANG 100mm F2.8 ED UMC MACRO
|
100
|
FT, mFT
|
F2.8
|
12.6
|
0.307
|
1.0X
|
X
|
MF
|
NO
|
15/12
|
67
|
147,9 X
72.5
|
725
|
Tokina
Cinema AT-X 100mm T/2.9 macro
|
100
|
mFT
|
T2.9
|
0.3
|
1.0X
|
x
|
MF
|
NO
|
8/9
|
82
|
170 x 88
|
1310
|
|
SAMYANG 100mm T3.1 ED UMC MACRO
|
100
|
FT, mFT
|
T3.1
|
12.6
|
0.307
|
1.0X
|
X
|
MF
|
NO
|
15/12
|
67
|
147,9 X
81.6
|
730
|
Long teles (101mm ->)
The longer
the harder… Typical use sports and nature: animals, birds, insects...
Everything you have to photograph from respectful distance. Usually first time
users complain about the lens IQ – mainly because of poor user technique. These
need practice!
And, to
make it even harder, the airwaves, dust, moist etc, everything between the lens
and subject affects the picture quality, and the focus has to be spot on. So,
never expect 100% keepers. But, those
who can, really get amazing photos with
these!
Discontinued models in red.
Manufacturer
AND TYPE
|
FOCAL
LENGHT mm
|
MOUNT (FT /
mFT)
|
MAX
APER-TURE (F/T)
|
FOV,
degrees
|
MIN
FOCUS m
|
MAX IMAGE MAG-NIFI-CATION
|
MACRO (x)
|
FOCUS TYPE
(AF/ MF/ OTHER)
|
Electonic
contacts for EXIF and APER-TURE
|
LENSES/ GROUPS
|
FILTER SIZE mm
|
DIMEN-SIONS mm
|
WEIGHT g
|
Tokina
Vista 105mm T1.5
|
105
|
mFT
|
T1.5
|
||||||||||
SIGMA Macro 105mm F2.8 EX DG
|
105
|
FT
|
F2.8
|
12
|
0.31
|
1.0X
|
X
|
AF
|
YES
|
11/10
|
58
|
97.5 x 74
|
457
|
CARL ZEISS CP.3 135mm T2.1 (XD)
|
135
|
mFT
|
T2.1
|
7
|
1.00
|
MF
|
(YES)
|
126.5 X 95
|
1150
|
||||
CARL ZEISS
CP.2 135 mm/T2.1
|
135
|
mFT
|
T2.1
|
7
|
1.0
|
MF
|
NO
|
149 X 114
|
1600
|
||||
Samyang 135mm f/2.0 ED UMC
|
135
|
mFT
|
f2.0
|
0.8
|
MF
|
NO
|
11/7
|
77
|
146,9 x 82
|
840
|
|||
Samyang 135mm T2.2 VDSLR ED UMC
|
135
|
mFT
|
T2.2
|
0.8
|
MF
|
NO
|
11/7
|
77
|
146,9 x 82
|
840
|
|||
Samyang XEEN
135mm T2.2 Cinema Lens
|
135
|
mFT
|
T2.2
|
9.48
|
0.8
|
MF
|
NO
|
117.6 X 146.5
|
1413
|
||||
Cooke miniS4/i Prime lens 135mm T 2.8
|
135
|
mFT
|
T2.8
|
14.6
|
1.00
|
MF
|
NO
|
157.8 x 87
|
1800
|
||||
OLYMPUS ZUIKO DIGITAL ED 150mm
F2.0
|
150
|
FT
|
F2.0
|
8.2
|
1,4
|
0,13x
|
AF
|
YES
|
11/9
|
82
|
100 x 150
|
1465
|
|
SIGMA APO Macro 150mm F2.8 EX DG HSM
|
150
|
FT
|
F2.8
|
8.2
|
0,38
|
1,0X
|
X
|
AF
|
YES
|
16/12
|
72
|
137 x 79.6
|
895
|
Panasonic
LEICA DG ELMARIT 200mm F2.8 POWER O.I.S.
|
200
|
mFT
|
F2.8
|
6
|
1.15
|
0.2x
|
AF
|
YES
|
15/13
|
77
|
174 x 88
|
1245
|
|
William Optics Redcat 51 APO 250mm
f/4.9
|
250
|
mFT
|
F4.9
|
MF
|
NO
|
4/3
|
48
|
225 x 80
|
1470
|
||||
OLYMPUS ZUIKO DIGITAL ED 300mm
F2.8
|
300
|
FT
|
F2.8
|
4.2
|
2,4
|
0,15x
|
AF
|
YES
|
13/11
|
drop in
|
127 x 285
|
3290
|
|
OLYMPUS ZUIKO DIGITAL ED
300mm F4.0 IS PRO
|
300
|
mFT
|
F4.0
|
4.2
|
1.4
|
0.24x
|
AF
|
YES
|
17/10
|
77
|
92.5 x 227
|
1270
|
|
300
|
mFT
|
F6.3
|
4.8
|
0.8
|
0.5X
|
X
|
MF
|
NO
|
13/11
|
55
|
55 X 66
|
298
|
|
Samyang
300mm f/6.3 ED UMC CS Reflex Mirror Lens
|
300
|
mFT
|
F6.3
|
5.5
|
0.9
|
MF
|
NO
|
9/6
|
58
|
73.7 x 64.5
|
318
|
||
KOWA PROMINAR 350MM F4
|
350
|
mFT
|
F4.0
|
3.5
|
3.0
|
MF
|
NO
|
10/10
|
95
|
104×296
|
2025
|
||
JK IMAGING,
LTD Kodak 400mm F6.7 fieldscope
|
400
|
mFT
|
F6.7
|
3.1
|
9,0
|
MF
|
NO
|
5/3
|
none
|
80 x 286
|
640
|
||
KENKO TOKINA 400mm F8 REFLEX N II
|
400
|
mFT
|
F8
|
3.4
|
1.15
|
0.4X
|
X
|
MF
|
NO
|
6/2
|
67 front /30.5 back
|
74 x 112
|
545
|
KOWA PROMINAR
500mm F5.6 FL
|
500
|
mFT
|
F5.6
|
2.5
|
3.0
|
MF
|
NO
|
7/7
|
95
|
104×341
|
1970
|
||
KOWA PROMINAR 850MM F9.6
|
850
|
mFT
|
F9.6
|
1.5
|
3.0
|
MF
|
NO
|
14/13
|
95
|
104 X 396
|
2270
|
Special macro
The Nanoha... Great lens for special purposes. Try
Google and find some examples. And then there are the Mitakon and Laowa … How
close do you want to get? These are really special macro lenses, not for
landscapes.
PS. There are also more “regular” macro lenses
available in the 30 -150mm range + more close focus lenses… And the extension
tubes can also be used for macros.
Manufacturer
AND TYPE
|
FOCAL LENGHT mm
|
MOUNT (FT / mFT)
|
MAX APER-TURE
(F/T)
|
FOV, degrees
|
MIN FOCUS m
|
MAX IMAGE MAG-NIFI-CATION
|
MACRO (x)
|
FOCUS TYPE (AF/
MF/ OTHER)
|
Electonic
contacts for EXIF and APER-TURE
|
LENSES/ GROUPS
|
FILTER SIZE mm
|
DIMEN-SIONS mm
|
WEIGHT g
|
Yasuhara
– Nanoha macro lens X5
|
0.011
|
5X
|
x
|
MF
|
NO
|
10/7
|
|||||||
Zhongyi Mitakon 20mm
f/2.0 4.5X
|
20
|
mFT
|
F2.0
|
0.20
|
4.5X
|
x
|
MF
|
NO
|
6/4
|
NO
|
62 x 60
|
230
|
|
Laowa 24mm f/14 Relay 2x
Macro
|
24
|
mFT
|
F14
|
2X
|
x
|
MF
|
NO
|
||||||
Zhongyi Mitakon 85mm f/2.8 1-5X Super Macro Lens
|
85
|
mFT
|
f2.8
|
0,10
|
5X
|
x
|
MF
|
NO
|
12/8
|
58
|
67
x 122
|
750
|
Photographs of Jouko Lehto:
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Thank You for your comments!